![]() With no local grocery, the only nearby place to buy food or anything else was a corner store or a liquor store, where while visiting the latter to buy water after hours spent in the sun a fight almost broke out. Truly, life in the Bluff seemed like urban wilderness, a kind of wild west set in destroyed suburbs. “Beggars ain’t beggin’,” Curtis told Michael. More stories of recent violence, including one about a 15-year-old who was recently killed trying to barricade his home’s door against robbers, reinforced that. I had to remind myself at several times how if I were here alone and beyond cameras it would be a wholly different story, particularly at night. #SNOW ON THA BLUFF TORRENT FREE#One of Curtis’s crew grabbed a handful of free condoms with a smile and said to himself, “I use these in five minutes.” Michael seemed particularly moved by the presence of this establishment, and recorded an impromptu plea to Obama to make this a nationwide program. We visited a random safe house pretty much in the middle of nowhere, independently run by a kind old woman who regularly gave away free HIV and hep-C testing, as well as free food and clothes and syringes for anyone who came in. For a place as notoriously dangerous as this one, people’s general tone was positive, and good hearted. “The trick is not being able to leave the ghetto,” he told us, “the trick is coming back.”ĭespite the surrounding damage, everyone seemed in good spirits. As we came along down streets lined with houses that looked like they’d come through a hurricane, boarded over and abandoned, torn to shit or half burnt down, Michael sat at the window looking out and thinking aloud about the strange shift in terrain. Most seemed to want their neighborhood kept to itself. I remember realizing we were getting near the Bluff when passing a group of men standing on the street shouted, “No pictures!” Most of the people we ran into throughout the afternoon not involved with the film made a point of this: Fuck cameras, and fuck you for aiming one at me. Atlanta is interesting in that cultural and economic divisions can often change from block to block, with hardly any bleed-over between expensive loft apartments and projects. It was hot and there were eight of us packed into a large black SUV, though we didn’t have to drive too long from the expensive midtown hotel where Michael was staying to the hood. This follow-up to Snow On Tha Bluff deals with the lasting effects of war on an American soldier.We met up on a Thursday afternoon. ![]() It was announced on October 17th 2012, Producer Chris Knittel and Director Damon Russell were casting for a new film that revolves around military veterans returning home. He followed with, 'everything that is wrong with the hood, is in this movie'. ![]() On the Breakfast Club program on New York radio station Power 105.1, Williams described the movie's truthful portrayal of the hood. Snow on tha Bluff is Williams first executive produced film under his company, Freedome Productions. Williams is best known for his portrayal of Omar from The Wire and Chalky White on Boardwalk Empire. Williams revealed that he is an Executive Producer on Snow On Tha Bluff. #SNOW ON THA BLUFF TORRENT CRACK#He survived a grisly box-cutter knife attack.Ī melee broke out at the film's showing at the Atlanta Film Festival, as some audience members were unsure of the authenticity of a scene in which a child puts his hands into a pile of crack cocaine with a razor blade in it.Īs a result of officers seeing a part of the movie, the Atlanta Police Department contacted the filmmakers in connection with an investigation into a string of home invasions. An attempt on Curtis Snow's life occurred in December 2011.
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